
£14.99
£19.99 per litre · incl. 20% VAT
In Stock
A fruit-forward, peppery Rhone-style blend from one of Stellenbosch's most respected winemaking families. Syrah leads, backed by Grenache, Mourvedre and a splash of Tannat for grip. Crushed black pepper, dark mulberry and juicy red berries with sleek, easy tannins. Serious pedigree, weeknight price. Delivered across the UK.
Not for sale to persons under 18. Adult signature required on delivery.
We love bringing wines like this into the range: serious winemaking hiding inside an everyday bottle. David Finlayson could easily have made another polished Bordeaux blend; instead he made a peppery, generous Rhone-style red designed to be drunk, not decanted. It's become one of our reliable go-to Stellenbosch reds when a customer asks for something under £20 that overdelivers, and it's a genuinely great introduction to South African Syrah-led blends. Perfect for braai season, curry night, or anyone who thinks good wine has to be complicated.
Youthful purple-red in the glass, with crushed black pepper leading the nose alongside dark mulberry and a swirl of mixed-berry coulis. That pepper is pure Syrah, and it sets the tone: this is a Rhone-style blend built for freshness and lift rather than weight. The palate follows through with clean, dark red-berry fruit, a savoury undertow of iodine and dried herbs, and sleek, supple tannins. Medium-bodied, fresh-acid finish, spice lingering on the exit.
Every wine collection needs a bottle like this: something with real winemaking pedigree that you can pull out on a Tuesday without a second thought. The Pepper Pot is David Finlayson's love letter to the southern Rhone, made in Stellenbosch with the fruit-first, low-oak philosophy that keeps you reaching for a second glass. The name gives the game away. Syrah dominates the blend, joined by Grenache, Mourvedre and a dash of Tannat for backbone. Expect crushed black pepper on the nose, then a rush of dark mulberry, mixed-berry coulis and clean red-fruit juiciness. There's a savoury, faintly herbal edge underneath, and the tannins are sleek rather than chewy. Fourteen months in older French oak barrels and large foudres keeps the wood in the background, so the fruit does the talking. David Finlayson is a third-generation Stellenbosch winemaker with harvests at Chateau Margaux and Peter Lehmann behind him, so nothing about this wine is accidental. It's the sort of bottle that punches well above its price bracket. Open it with a gourmet pizza, spiced chicken, a lamb burger off the barbecue, or anything with a bit of char. It's a natural braai wine and equally happy alongside a mid-week bowl of pasta. Delivered to your door anywhere in the UK, and a smart pick for the friend who thinks South Africa only makes Chenin and Pinotage.
Built for the table, not the trophy cabinet. The peppery lift and fresh acidity make it a natural with tomato-based pasta, gourmet pizza topped with beef carpaccio and rocket, or a Friday-night lamb kofta. It also handles heat well, so reach for it with a mild curry, harissa-spiced chicken thighs, or anything off a summer barbecue.
No need to decant, but a quick 15 to 20 minutes in the glass helps the black pepper and mulberry aromatics open up. If you prefer, pour into a jug and back into the bottle for a gentle aeration.
Stellenbosch's Rhone-style reds thrive on the district's Mediterranean rhythm: warm, dry summers cooled by south-easterly breezes off False Bay, with hang times long enough to build spice and colour without tipping into over-ripeness. David Finlayson picks across sites at different altitudes and aspects, timing each parcel for freshness rather than sheer weight. That approach shows in the glass: crushed black pepper, dark mulberry, and a bright acidity that keeps the fruit lifted rather than jammy.
Made in an approachable, fruit-forward style with lower oak influence, this is built for drinking now and over the next 3 to 4 years from vintage. The fresh acidity and modest tannins will hold, but you won't gain much by waiting. Pull the cork.
The fruit comes from multiple sites stretching from close to the Indian Ocean up to the Paarl mountains, planted on Malmesbury shale over deep red clay. Bushvines and hedge-trellised vines sit between roughly 50 and 500 metres, mostly dryland farmed with a little drip support when needed. That mix of altitudes and coastal-to-mountain aspects is what gives the wine its layered spice and freshness.
This is a wine built from many small decisions rather than one big one. Eleven separate parcel ferments run through stainless steel, some with a handful of healthy stalks tossed back in, some with wild yeasts, each macerated on skins only as long as the fruit asks for. Soft pressing keeps the tannins supple. Ageing happens quietly over roughly fourteen months in second- and third-fill French oak barrels and large 65hl foudres, so oak plays a supporting role and the peppery, berry-driven Rhone character stays front and centre.
Stellenbosch sits in the shadow of dramatic mountain ranges, barely fifty kilometres east of Cape Town. Cooling breezes sweep in from False Bay, tempering the summer heat and giving grapes the slow, even ripening that builds complexity. While the region built its reputation on bold Cabernets and Bordeaux blends, its cooler pockets, particularly those exposed to Atlantic influence, are proving increasingly hospitable to Pinot Noir. Granite-based soils add mineral depth, and the sheer diversity of mesoclimates across these mountain-fringed valleys means Stellenbosch can deliver finesse just as convincingly as power.
David Finlayson
David Finlayson grew up in Stellenbosch wine country, third generation, born into it, vines in the family for as long as anyone can remember. He spent decades sharpening his craft in places that matter: a stint at Chateau Margaux in Bordeaux, time with Peter Lehmann in the Barossa, plus years back home making serious wine. In 2004 he and his family bought a rundown farm called Edgebaston in the foothills of the Simonsberg and set about replanting it, parcel by parcel, into the thirty-hectare estate it is today. Camino Africana, "the African way", is his personal statement piece: old vines, minimal intervention, no shortcuts.
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